STAINED
GLASS |
FACETED
GLASS |
|
glass
averages 1/8" thick |
|
glass
averages 1" thick |
|
glass
held together with H-shaped lead strips (came) |
|
glass
is cast in a 3/4" bed of epoxy |
|
glass
typically separated by 1/4" wide leads |
|
separation
between pieces range from 3/4" to several inches |
|
over
3,000 colors and textures of glass available |
|
perhaps
300 colors available |
|
can
render very intricate and detailed designs |
|
used
for much bolder/graphic designs |
|
best
for representational figurative work |
|
best
used for abstract/architectural designs |
|
can
be painted to achieve added detail |
|
usually
not painted |
|
typical
characteristic is the subtle pattern formed by the leadlines |
|
typical
characteristic is the bold graphic separation of the epoxy
(the negative area) |
|
more
costly of the two media |
|
same
to 1/4 the cost of stained glass |
|
fairly
fragile, subject to breakage |
|
very
durable |
|
usually
less expensive to make a repair |
|
typically
a whole panel needs to be replaced in repair |
|
can
be visually either light or heavy |
|
visually
heavy because of the negative area |
|
requires
a double glazed framing system |
|
requires
a heavy duty, single glazed frame |
|
typically
installed late in construction schedule |
|
installed
relatively earlier |
|
protective
exterior glazing is recommended |
|
not
recommended |
|
can
be used for most any design style |
|
best
suited for abstract or symbolic work |
|
can
be adapted to most any architectural style |
|
does
not work well in some architectural settings |
|
can
be used with either low or high light levels |
|
best
used in high light level situations |
|
techniques
used have been proven for over 1,000 years |
|
relatively
new technology |
SIMILARITIES
-
both can be used to control glare problems
- both can be a beautiful addition to most any space
- both can be backlighted for nighttime exterior viewing
(this is different from a light box situation)
-
the primary viewing of both of these types of windows is from
the inside during the daytime